Untitled (II 58) c. 1890

This photograph, taken by Ferdinando Ongania, captures a view of the Doge's Palace in Venice, likely in the late 19th century. The winged lion of Saint Mark, a symbol of Venice, dominates the façade, a motif deeply rooted in Venetian identity and power. This lion, with its origins in biblical and imperial iconography, has a lineage stretching back to ancient symbols of strength and divinity. We see echoes of it in ancient Mesopotamian art and the winged figures of Assyrian reliefs. Over time, this symbol has been passed down through history, shifting in meaning, and resurfacing in varied contexts—from heraldic emblems to commercial logos. It is an emotional and psychological touchstone for anyone linked to Venetian history. Like a recurring dream, these symbols invite us to delve into the collective memory and subconscious processes that shape our understanding of the world. Consider this non-linear, cyclical progression: the lion transforms, evolves, and takes on new meanings in different historical contexts.