Festivals of the Virgin c. 17th century

Curator: This intricate print is titled "Festivals of the Virgin" by Jacques Callot, who lived from 1592 to 1635. It’s quite small, only about 6.8 by 5.2 centimeters. The piece resides here at the Harvard Art Museums. Editor: My first impression is one of swirling narratives contained within this oval frame, like a series of vignettes depicting the Virgin Mary's life and ascension. There’s a dreamlike, almost ethereal quality to the etching. Curator: Callot was a master printmaker, and here he uses the medium to explore not just religious iconography, but also the cultural significance of Marian festivals and their public celebrations. How were these images deployed, and who was their audience? Editor: It's compelling to consider how these festivals intersect with broader social structures, particularly gender and power. The Virgin Mary as a figure of feminine strength and piety, and how those concepts are constructed. Curator: Exactly, and how the church uses these carefully cultivated images to shape public perception and allegiance. Editor: Looking at it now, I think the true power is in the way Callot has created a piece of art that continues to spark thought and discussion. Curator: I agree. I am glad we can make it accessible for all who come to see it.