Jérusalem, Porte de Jaffa, Vue extérieure 1854 - 1859

Editor: This is Auguste Salzmann’s gelatin-silver print, "Jérusalem, Porte de Jaffa, Vue extérieure," taken between 1854 and 1859. The monochromatic palette emphasizes the starkness of the architecture, a fortress wall. The surface is really weathered, hinting at the structure's age and its exposure to the elements. What compositional elements stand out to you in this photograph? Curator: Observe how the photographer utilizes a rectilinear arrangement. The arrangement of stone blocks is so even. Salzmann emphasizes the stark geometry inherent in the architecture. The rough texture and inconsistent patination across the stones invite consideration. Note how Salzmann does not appear to have cleaned or retouched the surface of the Porte de Jaffa. How does this contribute to your interpretation? Editor: I suppose the image really displays its age, it’s very raw. What do you think Salzmann wanted to communicate? Curator: Communication is a byproduct; rather, consider the structure itself. Salzmann renders the interplay between light and shadow which lends volume and dimension. The image then prompts us to consider the geometrical integrity of the arch itself. Do you find a harmony of form? Editor: The arches on either side offer a strange sense of balance with each other. Do you think the artist was intending to convey anything about time and ruin by immortalizing this historical location? Curator: Perhaps "immortalizing" is a heavy assessment. The photographic image, itself a geometric figure, mirrors the structural stability of the Porte de Jaffa. Instead, I see that it prompts us to analyze structure. Through that careful arrangement of light, and rendering of stone, it speaks to permanence, if not immortality. What lasting impact did this structural reading have on you? Editor: Well, now I’m compelled to see it less as a record of time, and more of an exploration into the form, structure and light of the photograph itself. Thanks!