Various Moths and Butterflies by Kubo Shunman

Various Moths and Butterflies 19th century

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print, paper, woodblock-print

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print

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asian-art

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ukiyo-e

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paper

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coloured pencil

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woodblock-print

Dimensions: 7 15/16 x 7 1/8 in. (20.2 x 18.1 cm)

Copyright: Public Domain

Editor: This is "Various Moths and Butterflies," a 19th-century woodblock print by Kubo Shunman. I find the muted colors and delicate lines really calming. The way he arranges the insects feels so intentional, almost like a scientific study. What strikes you when you look at it? Curator: It's a fascinating example of *ukiyo-e*, a genre deeply embedded in the social and political climate of the Edo period. Shunman, along with other artists of this period, was working in a time when the merchant class was gaining influence, and their tastes significantly impacted art production. Have you considered how this shift might have affected the subject matter? Editor: I hadn't specifically thought about it like that, but it makes sense. Were these kinds of insect studies popular with the merchant class? Curator: They certainly became fashionable. Remember, *ukiyo-e* prints were often commissioned and consumed by this rising middle class. Images of nature, including flora and fauna, were used not only for aesthetic enjoyment but also perhaps as symbols of prosperity and refinement – accessible luxuries. The political subtext, perhaps a quiet nod towards the rising power of this class through the imagery they chose to consume, is compelling. What do you think of the poem alongside the image? Editor: Oh, that's a good point, I hadn't considered the text. That adds another layer to the image's meaning, perhaps giving each insect symbolic weight, something that was common with birds and flowers in painting and printmaking at this time. Curator: Exactly. The calligraphy integrates visually and conceptually with the image. Considering its historical context helps reveal *ukiyo-e* not just as beautiful art, but also as social commentary. Editor: I never considered *ukiyo-e* as potentially a commentary about social change! This changes my entire view about how these images may have functioned within Japanese society at the time. Curator: That’s the power of contextual analysis, isn’t it? We've both gained a deeper understanding of this artwork today!

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