Petroglyph - Human Figures 1935 - 1942

Editor: Here we have Lala Eve Rivol’s “Petroglyph - Human Figures,” created between 1935 and 1942, a drawing whose simple execution creates a monumental effect, like it was carved right onto a cave wall. The figures feel both ancient and strikingly modern. What can you tell us about the compositional aspects? Curator: Indeed. Consider the composition; the artist’s choice of layering— the linear inscription is laid atop a tan surface creating texture to suggest weathered rock. Note the contrast in figure treatments. The bold outlines of the central figure anchor the work. Editor: How do you think that interplay impacts the way viewers interpret the work? Curator: This contrast creates a sense of depth, flattening against volume. The use of blue and red tones adds tension to the two-dimensional picture plane. Notice how these elements balance one another. What feeling do the colours invoke in you? Editor: A sort of ancient, mysterious presence. Are you suggesting that the color use heightens that effect, adding a timeless quality? Curator: Precisely. This tension between depth and flatness is key to understanding the work's formal properties. Editor: I hadn't thought about it that way. So by examining color and spatial arrangement, we are better equipped to address this drawing. Curator: That’s correct. The interplay of visual elements creates layers of complexity. Editor: Thanks so much, the formal properties shed new light on this drawing, shifting away from conventional cultural expectations.