Mercurius c. 1701

This drawing by Jacob Toorenvliet depicts Mercurius, the Roman messenger god, identified by his winged helmet and sandals, and the caduceus. The caduceus, a staff entwined with two snakes, symbolizes commerce, negotiation, and reciprocity; however, it is often mistaken for the Rod of Asclepius, a symbol of medicine. Notice how Mercurius's animated posture echoes the "nympha" motif—a figure in rapid, ecstatic motion. This "nympha" can be found across art history, embodying primal energy. Think of Sandro Botticelli's Venus, whose movement conveys a sense of urgency and divine purpose. The caduceus itself has a long journey, from ancient Greece to modern emblems, and has transformed in meaning. This emblem, imbued with cultural memory, touches our subconscious. The image engages us on a deep level, stirring primal emotions associated with communication and exchange. This cyclical progression of symbols is not linear; these resurface, evolve, and take on new meanings in different historical contexts.