Zomer 1744

Jacob de Wit created this drawing, "Zomer," using pen and brown ink, with brush and gray wash, heightened with white, on gray paper. De Wit, born in Amsterdam, became known for his ceiling decorations that often depicted mythological or allegorical scenes. Here, we see the artist employing the iconography of childhood. These aren't just any children; they are putti. In the context of the 18th century, these figures served as embodiments of innocence and purity, but also as symbols of divine love. De Wit's decision to depict children in this way speaks to the cultural values placed on youth and innocence during that period. These cherubic figures frolic in a pastoral setting, a scene evoking a sense of carefree joy. Yet, within this seemingly idyllic image, we might consider the socio-political realities of the time, particularly the stark contrast between the idealized depiction of childhood and lived experiences. De Wit invites us to consider the emotional and personal dimensions of summer, connecting with universal feelings of warmth, freedom, and nostalgia.