Plate 14: a young peasant woman and her child sitting side saddle atop a horse in center, another peasant woman to right, holding a large bag in her left arm, from 'Diversi capricci' 1644 - 1647

Editor: This is Plate 14 from Stefano della Bella’s ‘Diversi capricci,’ created between 1644 and 1647. It's an engraving featuring two peasant women, one holding a child on horseback, the other carrying a heavy-looking bag. The linework seems so delicate, almost fragile. I'm struck by how it portrays labor. What can you tell me about it? Curator: Note the tools required for Della Bella to achieve this print; the metal plate, the acid for etching, the press itself, not to mention the labor involved in each impression. The image itself depicts further labor - women burdened with work. Consider the "bag" – what material is it? What purpose does it serve? Is it food? Or material destined to be sold in the marketplace? Editor: That’s interesting – I hadn't thought so much about the bag itself as a sign of labor. The print-making process itself also mirrors their toil somehow. Do you think Della Bella intended for us to draw this connection? Curator: It's not just about authorial intent, but how the image functions within a system of production. These prints would have been commodities, sold and traded. This image of peasant labor itself becomes a form of capital, packaged and consumed. Editor: So the act of creating the print is embedded in economic exchange, depicting women at work? I guess I tend to see artwork detached from all of that, but here it feels like that's the whole point. Curator: Precisely. And by focusing on these processes – the printmaking and the portrayal of labor – we can unravel larger social and economic contexts of 17th-century Italy. This wasn't just about artistry; it was about materiality, labor, and consumption all feeding into each other. Editor: I never really considered the materials involved in making art beyond just paint or sculpture. This makes me want to rethink how art reflects the real world around its making. Curator: And to see art as embedded within economic and social systems, as opposed to floating freely above them.