Portret van Filips II, koning van Spanje 1567 - 1569

Editor: This print, dating from around 1567-1569, is Niccolo Nelli’s "Portrait of Philip II, King of Spain." The precise linework creates such a formal mood; it really emphasizes his regal status. What strikes you most about it? Curator: Oh, the dance of power! See how Nelli uses this rigid, almost architectural framework for the portrait, adorned with putti and masks? It's a statement, isn’t it? Philip isn't just a man; he’s a building, a structure of authority. Does that make sense, how the framing influences our perception? Editor: Absolutely. It’s like he’s deliberately distancing himself. All that ornament makes him less approachable, almost unreadable. Curator: Precisely! And look at Philip’s gaze – averted, controlled. He's not inviting us in. It speaks volumes about the Renaissance idea of leadership. Though I do wonder if Nelli intended to create that sense of distance, or if he simply was capturing a likeness. What do you think? Editor: That’s a good question, I think both might be true! Being a likeness probably influenced his choices. Curator: Yes! In fact, you've pointed out the tension here, between propaganda and art, likeness and ideology! I never really considered both at the same time. Thanks! Editor: And thank you, I am learning a lot with these dialogues!