Isadora Duncan (1877-1927) 19th-20th century

Curator: This is Abraham Walkowitz's sketch of Isadora Duncan, held at the Harvard Art Museums. I am struck by the dynamism evoked with just a few lines. Editor: It feels unfinished, almost a ghost of a figure. I wonder about Walkowitz's process here, and what this says about his, and our, perception of Duncan. Was this a study, or is it meant to stand alone? Curator: Duncan challenged societal norms around female expression. Her dance was about freeing the body. Walkowitz, also pushing boundaries in his own right, captures this sentiment. Editor: The sketch certainly emphasizes movement, and the lines suggest the draping of fabric; but the absence of detail also abstracts Duncan, perhaps even commodifies her image. Curator: Perhaps, but I see it as an homage to her spirit. The bareness speaks to Duncan's own embrace of simplicity and raw emotion in her art. Editor: Interesting. It certainly opens up avenues for considering the relationship between the artist, his subject, and the observer. Curator: Indeed, a powerful piece that invites further thought. Editor: A fitting end to our discussion. Thank you.