Parade 1961

Curator: Gwyther Irwin’s piece, "Parade," presents a fascinating exploration of materials and technique. It's roughly four feet tall and comprised of what looks like layered paper and paint. Editor: It's striking how the earth tones create an organic, almost weathered texture. I can almost feel the layers under my fingertips. Curator: Exactly. Irwin often incorporated found materials, elevating the everyday through artistic process. It challenges the traditional notions of painting. Editor: I see how he’s blurring the lines between painting and collage, it also makes me think about abstract expressionism and its reaction to the commodification of art. Curator: Well, considering Irwin’s work in relation to post-war British art, the deliberate roughness could be interpreted as a commentary on industrial processes. Editor: Perhaps, and the title, "Parade," might suggest a procession or celebration, but the muted palette lends a somber feel. Curator: Food for thought, for sure. This piece makes one think about the relationship between the hand-made and the machine-made. Editor: It certainly encourages us to look beyond the surface. A piece that invites multiple interpretations.