Landschaft mit Frau c. 1930

Karl Wiener made this woodcut, *Landschaft mit Frau*, at an unknown date with a bold graphic style. The blue and brown ink feels really grounded, like earth and sky. I’m drawn to the way Wiener handled the landscape. It’s not about perfect representation; it’s about capturing a feeling. See the horizontal lines suggesting the water? They’re so simple, almost childlike, yet they create such a strong sense of place. The two solid dark green trees are a really nice touch. You can feel the texture of the wood in the print. It's not trying to hide its process. I’m reminded of Erich Heckel. Both artists share this interest in the raw, expressive potential of the woodcut. What do you think? For me, that’s what makes art so exciting – it’s this ongoing conversation across time and artists.