Koningsgraven in Jeruzalem 1867 - 1885

Editor: We're looking at Félice Bonfils' photograph, "Koningsgraven in Jeruzalem," created sometime between 1867 and 1885. It's a gelatin-silver print, capturing a monochrome landscape. The scene feels very raw and monumental to me. What formal qualities stand out to you in this composition? Curator: Immediately, the stark contrast between light and shadow dictates the reading of the image. The composition is carefully structured; note how the horizontal plane of the excavation site bisects the photograph. This sharp division accentuates the dramatic verticality of the excavated cliff face, drawing the eye upwards to the ambiguous opening. The negative space here serves to enhance the architectural forms carved into the stone. Editor: The use of light really emphasizes those geometric carvings. I am fascinated by the interplay between those forms and the raw textures of the exposed rock. Curator: Indeed. Observe how Bonfils skillfully utilizes the gelatin-silver print medium. The tonality is remarkably consistent, permitting the textures to communicate the passage of time – the layering and erosion processes rendered almost palpable. It provokes inquiry into its methods of construction. Are they symmetrical? What compositional elements influence your interpretation of its use and significance? Editor: That makes sense. Perhaps that consistency of tonality forces us to focus on line and form. I am now noticing the man-made geometrical accents etched into the rocks contrasting with what I first viewed as rough contours of a cavern. Is the linear arrangement a key to its formalism? Curator: Precisely. Formalist criticism would encourage one to concentrate on this very juxtaposition of intention and material. What emotional impact does that juxtaposition evoke, considered without historical reference? Editor: Interesting – approaching the artwork without background helps in understanding the focus on raw, natural materiality. Thank you. Curator: My pleasure. The camera does indeed capture intrinsic, architectural lines within the landscape, yielding great analytical results.