Pigeons by Ferdinand von Wright

Pigeons 

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painting, oil-paint

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gouache

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animal

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painting

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oil-paint

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landscape

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oil painting

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watercolour illustration

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genre-painting

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watercolor

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realism

Copyright: Public Domain: Artvee

Editor: Here we have "Pigeons" by Ferdinand von Wright. I’m not sure of the exact date or materials, but the birds look incredibly lifelike. There's a lovely balance between the birds and the rural background that feels very peaceful, almost idyllic. How do you interpret this work? Curator: It’s interesting how you perceive its idyllic quality. Seen through a historical lens, the realism and the genre scene points to a burgeoning interest in ornithology and the natural world at this time, aligning with the rise of scientific study, classifying the natural world. Consider the role of artists in visualizing and, therefore, legitimizing those fields. Were these images meant to purely capture nature or also impart specific social values regarding our place in the world? Editor: That’s a fascinating perspective. I hadn’t considered it beyond its face value as simply depicting a scene from nature. Are you saying that the depiction itself could influence how people thought about nature and our role within it? Curator: Precisely! Paintings like this helped construct the idea of a peaceful coexistence with nature, potentially masking the increasingly complicated relationship industrialization was creating between humans and the environment. The depiction becomes a visual argument. Who is the intended audience and how do we imagine them responding to this scene? Editor: It's much more complex than just a pretty picture of pigeons, then. It's like this artist is also building a kind of narrative around these birds. Curator: Exactly! It demonstrates the artist is actively participating in the discussions of his time. Think of how public exhibitions helped shape tastes and social behaviours around what art was considered valuable, educational and enjoyable. Editor: I never thought about bird paintings having a political angle. I am always grateful for this opportunity. Curator: And I believe approaching artworks with socio-political questions will help broaden anyone's understanding and appreciation for their many dimensions.

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