Girl 1998

Curator: This is Lisa Milroy's "Girl," a work held in the Tate Collections. I find it fascinating how the sunglasses act as a barrier, obscuring the windows to the soul, so to speak. Editor: Absolutely. The dark glasses really strike me. There's a cool detachment—almost intimidating, yet inviting—like a film noir heroine. Curator: Indeed. Sunglasses have long served as a symbol of anonymity, status, and even rebellion across cultures, creating a visual shield that can both conceal and project power. Editor: I can almost feel that summer heat radiating off her skin, but it is like she is watching you, even though you can't see her eyes. It's an interesting tension, but the darkness makes me think of a night scene too. Curator: The ambiguity is powerful. I am glad you noticed the heat and coolness at once; that is an interesting feeling that emerges from Milroy's work. Editor: Yes. Ultimately, I think it's the mystery that lingers for me. The woman's gaze, hidden behind those glasses, holds a thousand unspoken stories. Curator: A compelling and enduring image. It encourages you to think about the role of the gaze and how images shape identity.