Diana 1510 - 1569

Editor: This is "Diana," an engraving by Jacob Binck, created sometime between 1510 and 1569. It’s currently held at the Rijksmuseum. It's striking how much detail is packed into this print. What do you make of the composition and technique? Curator: The primary visual element is, of course, line. Observe the use of hatching and cross-hatching to create tonal variation and suggest depth. Note how this density of line creates a sense of volume and weight. What effect does the arched framing device create, do you think? Editor: It kind of isolates Diana and the deer. Almost like they're figures within a niche or statue. But doesn't that clash with the Mannerist style; I thought that rejected classical ideals of balance and clarity? Curator: Precisely! Consider the elongation of Diana’s figure, a hallmark of Mannerism. It rejects classical proportions. The pose, too, is deliberately artificial, far removed from naturalism. Look how her contrapposto is exaggerated; the figure becomes almost decorative. Editor: So, rather than seeking balance, Binck aims for artifice through deliberate distortion? How does that connect with the engraving medium? Curator: The engraving itself lends itself well to the linear emphasis of Mannerism. The incisive lines reinforce the deliberate artificiality. The density creates shadow that contrasts with lighter skin, accentuating musculature. And note the texture imparted to both Diana's skin and the surrounding space with densely packed marks. It becomes an exercise in stylistic refinement rather than realistic depiction. Editor: That’s fascinating! I never thought about how technique can reinforce style so directly. Thanks for that perspective! Curator: My pleasure. Now I'm pondering on this image in a whole new way!