Railroad car--Butte, Montana by Robert Frank

Railroad car--Butte, Montana 1956

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print, photography

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print

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landscape

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street-photography

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photography

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monochrome photography

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realism

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monochrome

Dimensions: sheet: 20.3 x 25.3 cm (8 x 9 15/16 in.)

Copyright: National Gallery of Art: CC0 1.0

Curator: This print is titled "Railroad car--Butte, Montana", a photograph by Robert Frank taken in 1956. Editor: Stark and haunting, wouldn't you say? The high contrast and limited depth give the railway car an almost monumental, oppressive feeling. Curator: Frank’s work, particularly the series "The Americans," is steeped in a socio-political reading. It was groundbreaking in its era, using grainy and seemingly off-kilter shots to expose a raw vision of American life, touching on issues of race, class, and disillusionment after the postwar boom. Editor: The railway car is the perfect emblem here, freighted with layers of significance. The railways are such potent symbols—movement, industry, and the very structuring of the American landscape, not to mention westward expansion. Do you notice the rather blurry face within a square frame? Curator: I see it, yes. I’d add that this particular image offers an industrial view of Montana, a far cry from the romanticized visions of the Wild West often perpetuated. It’s more about the labor and machinery of the state. The muted tonality adds to this effect. Editor: Absolutely, the faceless visage could easily be interpreted as the embodiment of destiny, fate, or some sort of corporate entity. I imagine this emblem might give one pause and create unease to the average observer. Curator: Many felt precisely that. Upon its initial publication, "The Americans" drew considerable criticism, with many questioning its aesthetic merit. The photography appeared almost too immediate, too revealing. Now, however, it is celebrated for its honesty. Editor: And that honesty comes across beautifully, that square around the symbolic image contrasts harshly with its almost degraded look that suggests constant motion and impermanence. It adds so many layers to it! I guess in retrospect it is Frank's genius to offer such a stripped-down view of the cultural undercurrents that continue to reverberate to this day. Curator: Precisely, I find myself reconsidering our perception of labor and the landscapes these railroad cars occupy. A silent echo of an evolving American story.

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