Terugkeer uit Egypte by Johann Sadeler I

Terugkeer uit Egypte 1582

0:00
0:00

print, engraving

# 

print

# 

old engraving style

# 

landscape

# 

figuration

# 

northern-renaissance

# 

engraving

Dimensions: height 188 mm, width 130 mm

Copyright: Rijks Museum: Open Domain

Curator: Looking at "The Return from Egypt", a 1582 engraving by Johann Sadeler I, it’s amazing to see the biblical scene unfold within such a meticulously crafted landscape. Editor: It strikes me first as turbulent, both literally, in the water’s choppy depiction, and metaphorically, I mean, a family on the run, that primal narrative of seeking refuge, but… framed by such calm grandeur in the city beyond. How do we read that contrast? Curator: Absolutely, that tension is palpable. I love how the artist renders the distant cityscape, it's like a shimmering promise. Though, in this Northern Renaissance style, the landscape isn't mere backdrop, is it? Editor: Not at all. This image carries a weight of history and cultural expectation. The return to their homeland signifies a kind of homecoming, yet that home is within an empire. Consider the politics of 'return' itself; who is afforded that luxury? The engraver invites us to see their journey, literally framed by towering imperial constructions, both physical and ideological. It implicitly asks, “Whose land is this really?” Curator: I see that. It reminds me, strangely enough, of modern refugee experiences. The particular textures, though, those lines creating light and shadow… there’s a tenderness woven into even the most chaotic parts of the image. Like in the small gesture of Mary gently guiding the toddler Jesus. Editor: The devil is in the details here. See the deliberate placing of the text beneath, an overt attempt to legitimize dominance and offer propaganda to its own population? It demands interrogation as much as devotional viewing. How do you even see devotion now, looking at such an artwork, knowing its context? Curator: A difficult question, truly! The engraving has this dreamlike quality despite its detailed realism. The artist, consciously or not, invites viewers into something bigger than mere faith—he touches upon humanity’s restless search for solace. Editor: Right. Even in its propaganda, it hints at humanity's eternal unease with power. A little spark, even if unintended.

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.