Vase with lily decoration by N.V. Haagsche Plateelfabriek Rozenburg

Vase with lily decoration 1900

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ceramic, earthenware

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art-nouveau

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ceramic

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vase

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earthenware

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stoneware

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ceramic

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decorative-art

Dimensions: height 59.5 cm, diameter 25.0 cm

Copyright: Rijks Museum: Open Domain

Curator: Let's discuss this striking vase, "Vase with lily decoration", crafted around 1900 by N.V. Haagsche Plateelfabriek Rozenburg. Editor: My immediate impression is one of elegance and muted joy. The form, with its subtle curves and that curious loop at the top, creates an impression of restrained opulence. Curator: Absolutely. Note the refined lines of the Art Nouveau style, here expressed through a carefully calibrated composition. The surface design complements its structure, reinforcing the overall effect of fluid harmony. Editor: The lilies! Lilies, of course, have long been associated with purity, renewal, even resurrection. Seeing them here, stylized as they are, suggests an idealized, perhaps romanticized view of nature. Curator: Indeed. However, observe how the earthenware, though subtly painted, retains a quality of grounding—it’s not trying to imitate porcelain. The artist focuses on form and painted ornamentation. The color palette—primarily creams, light greens, and pale yellows—enhances this harmonious composition. Editor: But isn't there a hint of melancholy? The lilies, while beautiful, also signify fleeting beauty, their delicacy suggesting vulnerability. Curator: Possibly, or perhaps it reflects the symbolic language prevalent at the time. Floral motifs were common, representing not just nature but deeper human emotions. The vase doesn’t shout; instead, it quietly alludes to a complex understanding of life and art. Editor: You’re right; there’s an intentional restraint. It is interesting how cultural ideals are embodied within decorative art objects. Curator: I think that’s what makes it a fascinating specimen within decorative art; it marries form and meaning beautifully. Editor: Precisely. Delving into the symbolic and structural aspects unveils fresh perspectives. Curator: Agreed, examining art through both formal qualities and symbolic content is enriching.

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rijksmuseum's Profile Picture
rijksmuseum over 1 year ago

The Rozenburg porcelain works presented porcelain of this type at the Exposition Universelle in Paris in 1900. The material it was made of was unusual and pioneering – the thinnest of eggshell porcelain. The vases have flowing shapes, with harmonious swirling ornamentation, such as colourful plants, an oriental dragon and birds.

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