Rotskust van Capri c. 1860 - 1880

Editor: Here we have Giorgio Sommer’s "Rotskust van Capri," a gelatin-silver print from somewhere between 1860 and 1880. The rocks take up so much space! It feels monumental, almost like a geological study. What strikes you about this piece? Curator: Immediately, I’m drawn to the photograph’s formal composition. Note how the rocks dominate the foreground, arranged with an almost mathematical precision that creates a dynamic interplay of shapes. How does the tonality affect your reading? Editor: It feels muted. The grey scale emphasizes the textures of the rocks, making them look very tactile. Curator: Precisely. And consider the horizon line: placed quite high, it compresses the sky, forcing the viewer to confront the materiality of the earth. We observe a strategic control of depth; space is created but simultaneously constrained. Do you find that Sommer’s emphasis on texture contributes to the image’s overall effect? Editor: Absolutely, that starkness underscores a feeling of immutability. Curator: The technical mastery evident in Sommer's use of light and shadow constructs a detailed scene. Consider how the stereoscopic effect contributes to the perceived volume, allowing for a unique interaction of perspective. Are you inclined to think Sommer focused on verisimilitude? Editor: It’s compelling how much emphasis he puts on this kind of stark realism. It seems like he truly focused on representing its intrinsic form, despite whatever narrative or story there might be to tell about the place itself. Curator: Precisely. Looking deeply at the inherent components, we appreciate Sommer's meticulous craftsmanship. Editor: This analysis makes me want to focus on these specific, internal elements more. Curator: Indeed. We've successfully engaged with the work on its own terms.