The Dead Christ in the Tomb with Two Angels 1605 - 1615

Editor: This is "The Dead Christ in the Tomb with Two Angels," created between 1605 and 1615 by Abraham Janssen van Nuyssen, rendered with oil paint. I find it so compelling in its somber yet beautiful portrayal of death, the muted colors, and textures almost palpable. What do you see when you look at this painting? Curator: I see a stark display of materiality. Janssen forces us to confront the physical reality of Christ’s death through the application of paint. Look at the raw, almost sculptural treatment of the body, contrasted with the drapery—likely silk—of the angels. Think about the economy that drove this creation: the pigments, the linen canvas, the cost of training. Editor: That's interesting! I hadn't considered the cost and materials. Does that shift your perspective on the subjects being portrayed? Curator: Absolutely. The lavish use of materials highlights a complex relationship between religious piety and material wealth in 17th-century Flemish society. Consider the societal message imbedded within. Is the image highlighting the suffering of christ, or the angel’s capacity to acquire lavish robes for Christ’s funeral? Editor: It almost makes you question the intentions behind such a powerful scene. Thanks for providing that different viewpoint! Curator: Exactly. Analyzing the "how" and "what" of artmaking exposes deeper cultural and economic realities that often lie hidden beneath the surface. Editor: I learned so much! The materials definitely changed the meaning for me. Curator: Me too. It reminds us how vital it is to examine art beyond subject and style.