1637 - 1676
Portret van André Rivet
Theodor Matham
1605 - 1676Location
RijksmuseumListen to curator's interpretation
Curatorial notes
Curator: Looking at this image, I find myself imagining the quiet concentration in the room where it was created, can’t you? It’s like a little portal, taking us way back. Editor: Well, it’s certainly a striking image. There's something undeniably serious about the subject's gaze, as if sizing you up across centuries. Curator: Exactly! What you are seeing here is a portrait of André Rivet by Theodor Matham, an engraving created sometime between 1637 and 1676. Given Rivet’s status, its creation must be understood as intertwined with questions of political power and religious authority during the Reformation. Editor: I feel that. The detail is incredible. Those lines forming the face, the text around the border… it’s intense, even severe. So economical in its means, so baroque in its impact. I wonder how Rivet felt, immortalized like this? It’s pretty imposing. Curator: Rivet, as professor of Theology, likely understood the power of images and the role they played in constructing identity. Consider, also, the significance of Latin inscriptions framing his likeness—positioning him within a tradition of knowledge and intellectual authority accessible to an exclusive learned elite. Editor: Did he approve, I wonder, of that rather stern expression? He wasn’t much of a smiler. Curator: Whether Rivet personally approved is unknowable, though his collaboration was, without a doubt, crucial to constructing an image befitting his public role as religious leader. We must ask what statements this portrait was intended to make within very specific historical and social currents. Editor: Makes you think about portraiture in a different light—not just capturing a face, but crafting an image. A powerful tool. And something that’s certainly still relevant. I get a very visceral response from this. It sparks so many thoughts. Curator: Agreed. Analyzing images like this allows us to critically examine the cultural narratives of the period. Editor: This engraving leaves me wanting to turn the mirror onto myself, thinking about how we all perform for posterity, whether on purpose or not. It's powerful.