print, engraving
narrative-art
baroque
old engraving style
figuration
history-painting
engraving
Dimensions: height 140 mm, width 93 mm
Copyright: Rijks Museum: Open Domain
This print of Saint Sarah of Libya as a Hermit was made by an anonymous artist using engraving techniques. Look closely, and you will notice that the image consists of lines incised into a metal plate; these would have been filled with ink and then printed onto paper. Consider the labor involved in this meticulous process, each line carefully etched to create the illusion of form and shadow. The engraver’s skill transforms a blank surface into a devotional image. Notice how the lines define the texture of Saint Sarah’s garments, the rough bark of the trees, and the smooth surface of the book. The artist uses line work to define the contrast between light and dark, creating depth and drama. This print not only demonstrates the engraver’s technical skill, but also reflects the economic and social context of its production and consumption. The detailed craftsmanship elevates the status of the artwork, transforming it from a mere image into a valuable object. It challenges us to see the skill and labor involved in its creation.
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