drawing, paper, ink, pen
drawing
script typography
hand-lettering
dutch-golden-age
hand drawn type
hand lettering
paper
ink
hand-written
hand-drawn typeface
thick font
pen work
pen
handwritten font
calligraphy
small lettering
Copyright: Rijks Museum: Open Domain
Editor: We’re looking at a drawing, believed to be from 1932, entitled "Brief aan jonkheer Hendrik Teding van Berkhout" by Henri Verstijnen. It's ink on paper, and the script has this incredibly deliberate, almost performative quality. What’s your initial reaction to the lettering and the document itself? Curator: My interest lies in how documents like this functioned within a particular social sphere. This letter is addressed to a 'jonkheer', indicating an exchange within the Dutch aristocracy. Verstijnen isn't simply conveying information; he's performing a social role, reinforcing existing power structures through the act of formal correspondence. How do you see the style of the hand-lettering fitting into that dynamic? Editor: It feels like the lettering reflects the status, maybe even exaggerates it. It's careful and refined, projecting an image of sophistication and tradition. The letter seems like more than a means of communication, perhaps also a symbolic gesture? Curator: Exactly. And notice the reference to the "Rijks Prentenkabinet". Verstijnen seeks an audience with the director to discuss his graphic work. He's not just communicating with a peer, he’s trying to navigate the art world’s institutions. His careful penmanship attempts to gain prestige, offering himself to the canon. Editor: So, it is less about the content of the letter and more about the intention and social strategy of the sender? Curator: In a way, yes. While the specific content holds biographical clues, the historical significance lies in how Verstijnen uses this act of correspondence to position himself within specific artistic and social hierarchies. Editor: That’s fascinating. I hadn’t considered the performance aspect of something like a hand-written letter, or how its aesthetic choices could be strategic. I will look at letters in exhibitions more attentively. Curator: Indeed, these documents offer such invaluable perspectives, if one is curious enough to read them with the social context in mind.
Comments
No comments
Be the first to comment and join the conversation on the ultimate creative platform.