Christ at the Tomb Supported by Two Angels by Bartolome Bermejo

Christ at the Tomb Supported by Two Angels 1474

0:00
0:00

painting, oil-paint

# 

narrative-art

# 

painting

# 

oil-paint

# 

figuration

# 

oil painting

# 

mythology

# 

painting painterly

# 

italian-renaissance

Copyright: Public domain

Curator: Standing before us is Bartolome Bermejo’s “Christ at the Tomb Supported by Two Angels,” an oil painting dating back to 1474. Editor: The immediate feeling is… heavy. The dark palette emphasizes the somber mood, almost suffocating. Christ looks emaciated, and the angels have this palpable grief. Curator: The pathos is certainly pronounced. Bermejo's choice of figures here is revealing, isn't it? Two angels rather than, say, Mary Magdalene or Saint John, focusing on the heavenly response to Christ’s death. Editor: That’s true. We usually see these scenes rendered with human mourners, to encourage viewer identification. Instead, Bermejo places almost emotionless heavenly beings at the front of this tragedy. Almost a removal of personal responsibility. Curator: Consider though how angels, as liminal beings, act as intermediaries. The figures' sorrow reflects human grief yet transcends it through symbolic function. They aren’t just feeling sadness. They are *carrying* it on behalf of the faithful. Editor: I wonder what this suggests about the role of religion at the time? Was it perceived as a removed comfort, handled by these... emotionless symbols instead of being a visceral experience? The meticulous rendering of details is striking, yes, but I find that it detracts from a deeply spiritual reaction to what must be a very visceral experience. Curator: The painting originally was part of a larger altarpiece dedicated to Santo Domingo de Silos; perhaps the grandeur and placement elevated what you perceive as a loss of spiritual resonance? Think about the communal act of witnessing it within its sacred setting, that would drastically reframe how you read this piece. Editor: Perhaps you are right. The visual austerity may have served to remind observers of their roles and responsibilities in these times. But ultimately, I leave this painting today seeing something of the cost of sacrifice. The quiet despair almost transcends the dogma. Curator: A very moving observation, I am certain this image carries similar weight and depth for countless others as well.

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.