Dimensions: overall: 20.3 x 25.4 cm (8 x 10 in.) Original IAD Object: 9 7/8" in diameter
Copyright: National Gallery of Art: CC0 1.0
Editor: This is "Millennium," a ceramic plate likely made around 1936. It's incredibly detailed, with a kind of folk-art symbolism. I find its iconography both charming and unsettling. What symbols do you see, and how do they speak to you? Curator: I see potent symbols, laden with historical weight. The "all-seeing eye," for example, connects to ideas of divine providence and, perhaps, secular watchfulness, anxieties made palpable by historical events surrounding the work's creation. Then the juxtaposition of figures—a child shepherding wild animals—points to utopian ideals. Do these not feel intertwined, hope shadowed by a sense of vigilance? Editor: I can see that tension. I hadn't really connected the imagery to its historical context, but that makes a lot of sense. It seems almost… prophetic, now. Curator: Precisely. Consider, too, the ceramic medium itself, something domestic, made for everyday use. How does the inscription "Peace on Earth" coupled with a common dining object influence your view of the piece? Editor: Placing these profound concepts onto a mundane object feels… like a hopeful desire for these ideals to find root in everyday life, but tinged with the worry that it is unattainable. Like it is nice to talk about and to place it on your dinner plate, but out of reach? Curator: Indeed, a tension held within something we would literally hold in our hands. A continuous, repeated promise or question. Editor: It is almost as though that action could will it into existence... That's so interesting! Thinking about the artist's intent and how the object might have been used gives me a lot to consider. Thank you! Curator: My pleasure. It seems to say as much about its time, as our time. Examining art always helps me understand human collective memory and the impact on how we navigate contemporary experiences.
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