Landkaart c. 1916 - 1945

Reijer Stolk's pencil drawing titled "Landkaart," now in the Rijksmuseum, presents us with more than just geographical markings; it offers a glimpse into the symbolic weight of place and memory. The act of mapping, deeply rooted in human history, transcends mere cartography. The lines and notations scattered across this drawing remind us of the ancient practice of imago mundi – creating symbolic representations of the world. These maps, whether etched in caves or inscribed on clay tablets, served as both practical guides and embodiments of collective understanding. Notice how Stolk has also added handwritten text on the map. Consider the recurrence of maps in art throughout history. From medieval mappae mundi, depicting the world through religious lenses, to modern artists using maps to explore personal and political landscapes. They all serve as symbols of our ever-evolving relationship with the world. This drawing also evokes a poignant reminder of human impermanence within a larger cosmic order. It invites us to reflect on our transient existence and connection to a world in constant flux.