Salomo en de koningin van Seba by Marcantonio Raimondi

Salomo en de koningin van Seba 1490 - 1527

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print, engraving

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pencil drawn

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print

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classical-realism

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figuration

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geometric

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history-painting

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italian-renaissance

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engraving

Dimensions: height 388 mm, width 56 mm

Copyright: Rijks Museum: Open Domain

Editor: This engraving from the early 16th century, "Salomo en de koningin van Seba" by Marcantonio Raimondi, depicts the Queen of Sheba's visit to King Solomon. The classical architecture and numerous figures create a dynamic, almost theatrical scene. I'm intrigued by how the artist balances the formality of the setting with the apparent curiosity of the crowd. What do you see in this piece? Curator: Indeed, it is a theatrical stage. See how the pillars become symbolic gatekeepers? They divide the earthly realm from the divine, with Solomon, the wise king, mediating between them. Note also the classical architectural forms. They evoke not just grandeur, but a connection to a perceived golden age, an age of wisdom, and ordered society. The Queen of Sheba, then, journeys not just to meet a king, but to participate in that symbolic power. Editor: That’s interesting, because to me the pillars felt more like barriers, creating distance. Are you saying they're actually intended to connect rather than separate? Curator: That perceived barrier can be deceptive. What is brought through such pillars? Precious gifts? Knowledge? The Queen’s very presence bridges cultures. Consider what Solomon represents: wisdom, divinely granted leadership, but also political acumen. The meeting itself becomes a symbol of negotiated power, seen through gifts. Notice how Raimondi’s marks create that push and pull. The visual density serves to convey an abundance, which we, in turn, connect to this power exchange. Editor: So, the pillars, the gifts, it all speaks to a deeper, more complex negotiation? Curator: Precisely! The very act of encounter reshapes understanding, the pillars standing tall as silent witnesses. Do you feel how the image itself becomes a cultural artifact? Editor: Yes, the density of the engraving and the symbolic weight it carries speak to a complex dialogue between power, knowledge, and culture. I learned to not take such imagery for granted. Curator: Indeed. Let it ignite future dialogues.

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