La Mode Illustrée, 1876, No. 31 : Toilettes de Mme Breant-Castel (...) by J. Bonnard

La Mode Illustrée, 1876, No. 31 : Toilettes de Mme Breant-Castel (...) 1876

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Dimensions: height 369 mm, width 259 mm

Copyright: Rijks Museum: Open Domain

Curator: Oh, wow! Look at that blue dress. All those frills. Editor: Indeed. This lithograph, titled *La Mode Illustrée, 1876, No. 31*, gives us a glimpse into the world of Parisian fashion. It’s by J. Bonnard and showcases, as the title indicates, the creations of Madame Breant-Castel. Curator: My first impression? It feels utterly… contained. Corsets will do that. But seriously, despite all the fabric, there’s a real sense of posture and restriction. Those outfits are architectural marvels, but imagine trying to breathe! Editor: Precisely. The hourglass shape, achieved through meticulous tailoring and undergarments, was highly symbolic. It reflected societal expectations of women during that period – refined, ornamental, and largely confined to specific roles. The color choices, too, offer some clues: that rich, peacock blue, very fashionable for its time. Blue carried connotations of stability and faithfulness. Curator: I'm particularly drawn to the ribbons on the dress on the right. Those little bows hint at coquetry and playfulness beneath all that structured fabric. Fashion, like any art form, holds coded messages about beauty and desirability. Editor: Exactly. The Romanticism that pervades this print wasn’t just about flowing landscapes and dramatic skies; it infused everyday life with symbolic weight. Even the parasols became objects of visual messaging. In this image, the dress reflects the architectural motifs behind the women, as well as mirroring the frills of the parasol's construction. Everything in the picture speaks volumes! Curator: You know, even though it depicts a specific moment in history, there's a timeless quality. It makes you wonder what future generations will infer from our clothing trends! Editor: Undoubtedly. What visual stories will our fashions tell? What cultural assumptions will they reveal? That’s a question for future iconographers, I suppose!

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