Panoramic Landscape with Ruins, a City and Travellers by Battista Angolo del Moro

Panoramic Landscape with Ruins, a City and Travellers 1524 - 1575

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drawing, etching, paper

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drawing

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etching

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landscape

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river

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mannerism

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figuration

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paper

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line

Dimensions: height 193 mm, width 286 mm

Copyright: Rijks Museum: Open Domain

Curator: This delicate etching by Battista Angolo del Moro, dating from between 1524 and 1575, is titled "Panoramic Landscape with Ruins, a City, and Travellers." You can see it on display here at the Rijksmuseum. Editor: Whoa, there's a sort of quiet melancholy to this scene. Like looking back on a fading memory. Does it evoke that for you? Curator: It does. There’s a palpable tension between the idealised landscape—almost pastoral in its vision—and the signs of societal decay hinted at by the ruins. The placement of figures and the crumbling structures subtly critiques power and social hierarchies, even suggesting nature as an indifferent observer of human endeavour. Editor: Yeah, those ruins, it almost looks like the earth is slowly swallowing them whole, nature reclaiming its territory, while people, like the ones dotted around the hills here, try to find somewhere to belong in this in-between space, right? Curator: Precisely. And, importantly, consider this through the lens of Mannerism; there's a deliberately staged quality. It's not just representing a landscape; it’s performing one. Notice how the composition seems almost theatrically arranged? The river curves like a proscenium arch. It makes you wonder about issues of land ownership, displacement and our own relation to idealized versions of a land. Editor: I see that too. I feel this tension. It’s funny—at first glance, it looks all pretty and idyllic, sheep and puffy clouds—but the more you look, the more that unsettling vibe worms its way in. You said theatrical—maybe like the set of some weird morality play! It asks some very serious questions on a beautiful canvas. What an interesting artist! Curator: Indeed! Del Moro successfully blends aesthetics with socio-political commentary, inviting us to question romanticized notions of the past and to confront the ephemerality of human achievement within the grand scope of time. Editor: This definitely shifted my perspective. Next time I want a bucolic landscape, I think I will need to brace myself for something that runs much deeper! Thanks.

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Comments

rijksmuseum's Profile Picture
rijksmuseum over 1 year ago

This etching is one of the most refined landscape prints of the 16th century, and is therefore attributed to Lambert Suavius. This printmaker from Liège is known for his virtuoso engravings (an example is displayed on the wall at the right). The similarities, for example in the meticulous rendering of the architecture and clouds, make it plausible that this print was also made by him.

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