Bierbauer, 2nd Base, Philadelphia Athletics, from the Old Judge series (N172) for Old Judge Cigarettes 1888
drawing, print, paper, photography
portrait
drawing
still-life-photography
baseball
indigenism
paper
photography
historical photography
19th century
men
genre-painting
history-painting
Dimensions: sheet: 2 11/16 x 1 3/8 in. (6.9 x 3.5 cm)
Copyright: Public Domain
Curator: This is a baseball card featuring Bierbauer, the 2nd Baseman for the Philadelphia Athletics, part of the "Old Judge" series from 1888, made by Goodwin & Company. It's fascinating as a really early example of sports-related marketing using photography. Editor: It feels wonderfully sepia-toned and vintage. Something about that blurry background creates this wistful sense, like peering into the past... almost ghostly! Curator: Exactly! It's more than just a portrait; it's a material document reflecting the convergence of sport, celebrity, and commercial culture at that moment in American history. The paper itself and the printing techniques— Editor: You're reminding me—these were cigarette cards, right? A premium attached to the pleasures of smoking! Imagine collecting them now... a rather different cultural context. Curator: Precisely! And thinking about the workers, mostly women and children, in these cigarette factories who processed the tobacco and assembled the cards—they are part of the unseen material conditions which gave us Bierbauer in sepia tones. The photograph itself, mass-produced and disseminated, becomes this artifact infused with a particular labor history. Editor: Looking closer at Bierbauer himself—there’s an endearing stiffness. He's almost doll-like with that gaze. There's something profoundly human, captured within that rigid pose, almost innocent. Curator: It captures the period’s evolving relationship between performance, commodity, and self-image too. These cards weren't just advertisements; they contributed to shaping the mythology around baseball heroes. Think about the scarcity, preservation and the act of collecting as ways that turn a commercial object into something sacred. Editor: Right, a secular relic. This tiny portrait holds all those layers... industry, fandom, and fleeting moments. It's making me think of the fragility of fame and the surprising ways images endure and speak to us across time. Curator: I hadn't thought about Bierbauer’s humanity amid baseball hero mythologizing in quite that way. Fascinating to trace a moment when individual spirit encounters such immense, almost industrialized production of imagery!
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