Plate 68: Seven Bees and Flies by Joris Hoefnagel

Plate 68: Seven Bees and Flies c. 1575 - 1580

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drawing, watercolor

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drawing

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water colours

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11_renaissance

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watercolor

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watercolour illustration

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italian-renaissance

Dimensions: page size (approximate): 14.3 x 18.4 cm (5 5/8 x 7 1/4 in.)

Copyright: National Gallery of Art: CC0 1.0

Curator: Welcome. We’re now observing Joris Hoefnagel's "Plate 68: Seven Bees and Flies," dating from approximately 1575 to 1580. Executed in watercolor and drawing, it presents a meticulous study of insects. Editor: My immediate impression is one of delicate realism, a scientific precision rendered with artistic flair. The stark white background really intensifies the insects' forms, lending them a sense of almost unnatural clarity. Curator: Absolutely. The placement of these insects and bees within that contained space has meaning, and if we consider that text along the upper margin-- "Ad seria ineptus muscas pellat" – it further refines the piece. The title roughly translates as “Let silly flies be banished from serious things” – it elevates the work. We see continuity here in the use of emblems and proverbs. The Renaissance was consumed by ideas about the microcosm reflecting a much larger truth. Editor: Yes, but consider the handling of light and shadow, too. Hoefnagel used watercolor to give volume to the creatures, making their anatomies nearly tangible. Notice how that golden-yellow shade unifies each subject into a tonal arrangement, echoing one another throughout the work, connecting to the line of the simple, framing oval. The material is speaking just as much as the Latin motto, wouldn’t you agree? Curator: It does contribute but remember what symbols meant to the period – the Renaissance took visual symbolism very seriously, especially concerning natural observation. They represented human activity, or at the very least reflected behaviors onto us. Did they choose seven haphazardly or in order to symbolize? Editor: An interesting query, certainly. However, that close observation suggests something of empirical investigation too; an awakening understanding of natural science coming to life. Perhaps the quantity speaks less to strict numerology and more to showing variance through scientific-style study. Curator: That perspective offers a fresh viewpoint; the convergence of scientific accuracy with symbolism. Thanks for sharing those insights. Editor: And thank you, these visual artifacts allow endless reflection. I will be pondering these particular insectile forms further now, I’m certain!

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