At noon on the coast of the Adriatic Sea 2007

Editor: Alfred Freddy Krupa’s 2007 watercolor painting, “At noon on the coast of the Adriatic Sea,” has such a delicate touch, it reminds me of a hazy summer afternoon. What do you see in this piece? Curator: This artwork reminds me of those long summer days by the sea, doesn't it? I love how Krupa captures the shimmering heat with just washes of color. It's less about photographic accuracy and more about conveying a feeling, a memory. The solitary tree, almost a character itself, becomes this stoic, silent observer of time. It speaks to me of the resilience of nature. Do you get that feeling as well? Editor: Definitely. It almost feels dreamlike. Was this a common subject for Krupa? Curator: Yes and no. Krupa was known for his explorations in plein air and ink wash painting, often capturing landscapes and nature scenes with a unique blend of impressionistic and traditional techniques, as he was deeply influenced by both. However, his focus also included very contemporary subjects with equally personal sensitivity and technique, if you see his body of work as a whole. Editor: That’s fascinating. It feels very… spontaneous, as if he just quickly captured what he saw in that instant. Curator: Precisely! The beauty of watercolor lies in its immediacy, right? And Krupa seems to really exploit that quality, the way the colours blend into each other… the “happy accidents”, as Bob Ross would call them! This all enhances the painting’s emotional impact, I think. Editor: This has definitely given me a fresh appreciation for the expressive power of watercolor and how plein air can be translated into painting! Curator: And that’s what art should do – nudge our perspective and reveal layers unseen before, don't you agree?