Ship-Building by Winslow Homer

Ship-Building 1873

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print, woodblock-print, woodcut, wood-engraving

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narrative-art

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print

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landscape

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woodblock-print

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woodcut

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19th century

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united-states

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genre-painting

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wood-engraving

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realism

Dimensions: 9 1/4 x 13 5/8 in. (23.5 x 34.6 cm)

Copyright: Public Domain

Curator: This is Winslow Homer's wood engraving, "Ship-Building," created in 1873. Editor: It's quite a scene! There’s an immediate sense of labor and craft. Look at the scale of that vessel, contrasted with the group of children playing with what seems to be wood scraps and small models. The composition directs the viewer's gaze from the raw materials in the foreground to the activity of shipbuilding in the background. Curator: Homer’s work, particularly his illustrations, provide a glimpse into the socio-economic realities of 19th-century America. "Ship-Building" offers insights into the maritime industry and community life, probably around Gloucester Harbor, capturing a key industry. It also mirrors social dynamics, with children nearby observing the labor. Editor: Absolutely, and focusing on the materiality: look at all the textural detail achieved in the wood engraving, from the rough-hewn planks to the finer details of the model ships. Each mark conveys the weight of industry but also the care in creating things. It makes you consider the physicality involved in building, whether it's a massive ship or a small toy. Curator: Precisely! The print would have circulated widely in publications like Harper's Weekly. So this wasn't just about illustrating a scene, it was about informing public opinion, shaping ideas around industry, labor, and national identity. What was the role of maritime industries in that particular moment? Editor: Thinking about the consumption of imagery, the black and white print aesthetic also removes any distractions, reducing the depicted world to the materials in plain sight. No flourishes, just a documentary-like depiction of production and community, offering viewers an accessible image that connects to the real processes and labors involved in boat production and its human toll. Curator: Seeing this image brings up so many levels, between community dynamics, economics, materiality, production... there are social structures reflected in labor roles. It allows to wonder if art inspires production or if it's the other way around! Editor: Yes! The woodcut beautifully marries production of a thing (ships), with the artistic production of depicting said things, a testament to the hard work it embodies. A good reminder of the power behind the labor of human creation.

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