Delegates, convention--Chicago by Robert Frank

Delegates, convention--Chicago 1956

0:00
0:00

Dimensions: sheet: 20.2 x 25.3 cm (7 15/16 x 9 15/16 in.)

Copyright: National Gallery of Art: CC0 1.0

Editor: This is Robert Frank's gelatin silver print, "Delegates, Convention - Chicago," from 1956. It feels quite stark; the high contrast emphasizes the gritty textures of the city. What strikes me is the seemingly mundane subject matter transformed through Frank's photographic approach. What's your take? Curator: It's interesting to consider the very act of capturing this seemingly banal scene. Frank used photography – typically a mass-reproducible medium – to document, not the spectacle of a convention, but rather the mundane act of its delegates with their signs in this almost forgotten space, the street. What does the medium contribute to our understanding of labour and political agency here? Editor: That's fascinating. The graininess almost seems to level the playing field, diminishing the prestige usually associated with political conventions. It makes it seem almost anti-monumental. Do you think the conscious use of that kind of raw material brings focus to the production of political consent? Curator: Precisely! Consider the materiality of those protest signs – cheaply produced, ephemeral. Frank juxtaposes their symbolic weight, “Los Angeles City Limits," with the tangible, physical reality of their existence, highlighting the contrast between representation and material conditions. Are we truly free if our realities are shaped by factors beyond just political expression? Editor: It makes you wonder about the hands that made those signs and the effort that went into making this “image.” How Frank's choices really shift the meaning away from simply documenting and towards actually commenting on its social and economic factors. Curator: Indeed. By focusing on the print as a crafted object, imbued with the social and economic context of its creation, we start to unpack Frank’s broader critique of American society, and the commodification of even democratic ideals, wouldn't you agree? Editor: Yes. I appreciate that it has more to say than just documenting street photography. Thanks for providing that point of view!

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.