Figuren met een hond bij een beek Possibly 1630 - 1765

Anthonie Waterloo etched “Figures with a Dog by a Stream” with incredible detail. The trees, almost characters themselves, stand as silent witnesses, their branches like arms reaching out, a motif echoing through art history. Consider the forest: it appears in ancient myths as a place of mystery and transformation, a concept present through the ages in works such as Titian's “Sacred and Profane Love” from antiquity. Waterloo presents the forest not as a menacing wilderness but as a tranquil, almost domestic space. This domestication mirrors a cultural shift, where nature is not only feared but appreciated and integrated into human life. We are drawn in by the quiet moment, feeling a sense of the serene interlude between man and nature. It is an idyllic vision that continues to resonate today, reappearing in our collective imagination as a symbol of peace and simplicity.