De Sterrenkunde 1745

Curator: This watercolour painting, "De Sterrenkunde" – Astronomy – by Louis Fabritius Dubourg, dating back to 1745, stops me in my tracks every time. I mean, look at that gaze. It’s pure theatre, wouldn’t you say? Editor: It is dramatic! I find it compelling too; there's a sort of serene yet theatrical aura to it. The woman's upward gaze towards the stars and the soft watercolor tones create a dreamy, ethereal feeling. I am especially intrigued by the buildings and architecture around her. What are some key aspects that strike you? Curator: Ah, that gaze! It speaks of yearning, doesn’t it? A longing for the infinite… It almost makes you want to follow where her eyes lead. And then the very clear classicizing details in her robe, hair and environment. She is definitely more of a goddess than a person of that time. Are you picking up the architectural nod to antiquity? That building almost reads like an abstracted Egyptian pyramid. Editor: Yes, absolutely, the classicizing and Egyptian details create an interesting atmosphere in "De Sterrenkunde", but, more precisely, who do you believe is the goddess that the work depicts? Curator: Ooh, good question! It might sound cheesy, but in many ways, I feel the goddess represents the enlightenment’s renewed interest in history and scientific reason. But in the most theatrical and visually exciting way possible. Do you agree with that? Editor: Interesting! I hadn't considered that perspective, but I can definitely see that, after our talk. Thanks so much for sharing your insights! Curator: My pleasure. Until our next encounter!