Decoy c. 1938

Roberta Spicer's 'Decoy,' rendered in graphite, presents us with more than just a bird; it unveils a complex interplay of illusion and symbolism. The decoy, historically, is a tool of deception, a simulacrum used to lure real birds, embodying the hunter's cunning. This image echoes ancient motifs, recalling the raven in mythologies from around the world – often seen as a messenger between worlds, a symbol of foresight, or even trickery. Consider, for instance, the Norse god Odin's ravens, Huginn and Muninn, Thought and Memory, circling the world, bringing him news. The bird here, frozen and isolated, loses the dynamism associated to them, becoming a silent, melancholic figure of imitation. The emotional impact of the decoy lies in its inherent paradox: a promise of life, a vibrant presence, yet ultimately, it is a lifeless object. This dichotomy stirs deep within our collective consciousness, triggering a sense of unfulfilled longing, a subtle unease that resonates across generations. The image invites us to reflect on the cyclical nature of illusion and the emotional undercurrents that shape our perception of reality.