Watersnood te Gorinchem, 1876 by Jan Kuijpers

Watersnood te Gorinchem, 1876 1876

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drawing, print, etching, pencil

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drawing

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narrative-art

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dutch-golden-age

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ship

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print

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etching

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pencil sketch

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landscape

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pencil

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history-painting

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realism

Dimensions: height 426 mm, width 565 mm

Copyright: Rijks Museum: Open Domain

Curator: Jan Kuijpers' 1876 print, "Watersnood te Gorinchem," depicts the flood in Gorinchem. The print is rendered in etching and pencil, giving it a textured and dynamic feel. Editor: The initial mood I get is, wow, just overwhelmingly somber. All those greys, it feels like looking at a faded memory. Like trying to recall a dream about a particularly bad history lesson. Curator: Indeed, the subdued palette emphasizes the gravity of the historical event. "Watersnood" translates to "deluge." The image represents not only the material destruction but also the disruption of social and political order that often accompanies such catastrophes. Think of it as a stark commentary on human vulnerability in the face of nature's force, one rooted in Dutch Golden Age sensibilities adapted to a 19th-century reality. Editor: I see that. But look how it's composed! The oval with the grapevine – like a frame around a memory, holding in this little pocket of... I don't know, quiet suffering? Then these scenes placed almost arbitrarily around it...It is quite busy with a lot going on, a steamship, historical building, figures fleeing from the devastation...What do you think? Deluge seems quite an accurate word... Curator: Exactly! It evokes realism by capturing varied social classes and their shared plight, yet the idealised cherubs above, clash intriguingly. I find them reminiscent of history painting, serving perhaps, as an allegorical suggestion that there are higher powers at work, both offering salvation and also destruction. Editor: Higher powers? Or just really unsettling nostalgia goggles? Because let’s face it, those cherubs feel a bit out of place given everything. Though I see your point about history painting. Curator: Well, whether heavenly intervention or just historical reflection, Kuijpers offers insight into both human resilience and nature's indomitable will, urging us to understand the delicate dance between history and contemporary society. Editor: To me, this artwork feels deeply personal despite being a historical depiction. It's like the artist captured not just an event, but the echoing sadness in the air. I still feel somewhat disconnected by all the symbols in it. Regardless, the technical details make me admire its ability to convey a story. Curator: A beautifully nuanced reaction. Thanks for sharing!

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