Portret van Benjamin Franklin by Pierre François Bertonnier

Portret van Benjamin Franklin 1810 - 1847

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print, engraving

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portrait

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print

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old engraving style

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history-painting

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engraving

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realism

Dimensions: height 264 mm, width 174 mm

Copyright: Rijks Museum: Open Domain

Curator: Here we see an engraving created sometime between 1810 and 1847, a "Portret van Benjamin Franklin," attributed to Pierre François Bertonnier. The medium is print, so this would likely have been widely circulated. What are your first impressions? Editor: There's a strong sense of authority, perhaps even a certain detached intellectualism, conveyed through the rigid posture and precise detail. But something about the somewhat idealized presentation feels distant. Curator: Indeed. The figure is meticulously rendered, classic, almost heroic in that sense. Note the engraver's use of line, particularly in creating textures in his clothing and hair. This invokes ideas of classical portraiture, doesn’t it? A subtle elevation of the subject. Editor: It does. But considering Franklin’s complex relationship with Europe and America – a symbol of enlightenment, revolution, yet also privilege – it is easy to read into his portrayal a deliberate crafting of legacy, which resonates with tensions in the revolutionary project itself, the conflict between egalitarian ideals and established power structures. The formal precision almost seems to serve to neutralize a more subversive potential. Curator: And yet the engraving is small, quite intimate actually. Consider how prints operate – disseminated widely, yet experienced privately. The act of encountering Franklin in this way brings his ideas to the domestic sphere. Is it really about dominance or a reminder of the importance of reason and civic duty in the everyday? Editor: I can see your point. It's a potent reminder of the power of accessible imagery to mold public perception, especially figures who, like Franklin, represent shifting ideological terrains. Whether intentional or not, Bertonnier's work inadvertently encapsulates that tension. Curator: Yes, symbols evolve and their meaning shifts. Ultimately this artwork reminds us of the layered nature of image-making. Editor: Precisely, a delicate dance between intention, reception, and enduring significance across time.

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