Virgin and Child 

Jan Provoost created this painting of the Virgin and Child in the early 16th century, using oil paint on a wood panel. The smooth, almost porcelain-like surfaces were created through layers of translucent glazes, a technique mastered during the Renaissance. This wasn't just about aesthetics; it was a labor-intensive process, reflecting the value placed on craftsmanship at the time. The wood panel itself would have been carefully prepared, its grain influencing the direction of Provoost's brushstrokes. Notice how the texture of the paint mimics the softness of skin and the delicate folds of fabric. Provoost’s masterful handling of the medium elevates the spiritual subject matter. The use of expensive materials and highly skilled techniques indicates the patronage of a wealthy client, further embedding the artwork within a complex web of economic and social relations. By considering the materials and making of this painting, we can appreciate how it transcends mere representation, becoming a testament to human skill, and the economic structures that supported it.