Knielende heiligen Nicolaas en Dominicus bij een ten hemel varende Maria by Giovanni Battista Tiepolo

Knielende heiligen Nicolaas en Dominicus bij een ten hemel varende Maria 1706 - 1770

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drawing, paper, ink

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drawing

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allegory

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baroque

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pencil sketch

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landscape

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figuration

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paper

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ink

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history-painting

Dimensions: height 182 mm, width 265 mm

Copyright: Rijks Museum: Open Domain

Curator: Here we have “Kneeling Saints Nicholas and Dominic with the Virgin Ascending into Heaven,” a drawing executed in ink on paper by Giovanni Battista Tiepolo sometime between 1706 and 1770. Editor: Immediately, I’m struck by its lightness. It's airy and ethereal. You know, the way the figures seem to almost float—it feels more like a fleeting vision than a concrete scene. Curator: The composition employs a clear hierarchy, wouldn't you agree? The Virgin Mary’s upward movement contrasts against the kneeling postures of Saints Nicholas and Dominic, thereby establishing her elevated spiritual status. The artist is using formal techniques to construct a powerful narrative. Editor: I see what you mean, but the drawing’s loose, sketch-like quality also gives it a raw emotional immediacy, wouldn't you agree? Like we're peeking into Tiepolo’s creative process. Also the way he uses line to create such drama and movement from a quiet image on a page. It’s like the clouds themselves are alive and lifting Mary heavenward. Curator: Precisely, and note how the carefully chosen sepia tones not only contribute to the somber subject matter but also direct the viewer's gaze through nuanced gradations of light and shadow. We could use semiotics to delve further into how color functions as an important element in creating meaning here. Editor: Absolutely, and what a concept: two rather different monks witness Mary's ascent together. Maybe it implies the importance of unity between varying interpretations of faith. Maybe Tiepolo included glasses sitting atop of books to represent scholarship and the importance of perspective. I wonder… Curator: Indeed. It is in this dialectic between careful artistic structuring and deeply human experience that Tiepolo invites us to delve deeper, not merely into religious iconography, but into fundamental considerations on human perception and emotion. Editor: Well said! What began for me as a fleeting glimpse now feels rich with history, interpretation, and yes, Tiepolo’s enduring mastery.

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