Rivierlandschap met een molen 1919 - 1921

Willem Cornelis Rip sketched this landscape with a mill using graphite on paper. The whole thing is caught in this beautiful, almost feverish, hatching. Rip’s mark-making feels urgent, immediate. It’s as if he's trying to capture the very essence of the landscape, rather than just rendering its appearance. The texture of the graphite creates this incredible depth, almost like a storm cloud about to break. Look at the way the graphite is built up, particularly in the sky. It’s not just about creating a sense of light and shadow, but also about conveying the weight and density of the atmosphere. It’s like Rip is wrestling with the medium, trying to extract every last bit of feeling from it. I’m thinking about Symbolist artists like Odilon Redon who were interested in similar themes of interiority and the natural world. Both were invested in art as a means of exploring the depths of human consciousness.