Jan 27 1933 1933
Dimensions: support: 891 x 683 x 29 mm frame: 1113 x 908 x 63 mm
Copyright: © Angela Verren Taunt 2014. All rights reserved, DACS | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: Ben Nicholson's "Jan 27 1933" presents a fascinating collage of textures and tones. Editor: It strikes me as quite somber; the muted palette creates a subdued and almost melancholic mood. Curator: Nicholson's process here is key—the layering of found materials, like newspaper fragments and patterned papers, elevates humble scraps into something quite profound. The date in the title suggests a specific moment, yet its meaning remains tantalizingly obscure. Editor: The inclusion of printed text from "Au Chat Botté Dieppe" hints at location, and perhaps the influence of continental avant-garde movements on Nicholson's practice. How did these settings shape his artistic vision and its reception in Britain? Curator: Absolutely. By incorporating the ephemera of daily life, he's blurring the boundaries between art and the everyday experience, challenging conventional notions of value. Editor: Reflecting on it, Nicholson seems to invite us to re-evaluate the relationship between art, location, and history. Curator: Indeed, a potent reminder of how much material culture shapes our world.
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http://www.tate.org.uk/art/artworks/nicholson-jan-27-1933-t07595
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In this work, Nicholson combines collage and painting to investigate different methods of pictorial representation. Sections of newspaper are used to represent a plate with two fish on the left, and a mug on the right. Another piece of newspaper, marked with the title Le Quotidien, appears to straightforwardly represent a newspaper on a table. More ambiguously, the paper doily may represent a second plate, or simply a paper doily. By creating these playful illusions, Nicholson presents everyday perception as fluid and uncertain. Gallery label, September 2004