Portret van George Monck 1643 - 1667

Adriaen Millaert created this engraving, *Portret van George Monck*, using a technique that democratized image production in the 17th century. The essence of an engraving lies in its lines, etched into a metal plate, typically copper. The artist meticulously carves the image by hand with a tool called a burin. This is painstaking work. The depth and density of these lines dictate the tonal range of the final print. Ink is applied to the plate, then wiped away from the surface, remaining only in the incised lines. The plate is pressed onto paper, transferring the image. Engraving emerged alongside the rise of print culture, allowing for widespread dissemination of images. This one captures George Monck, a prominent figure, and reflects the increasing importance of portraits in asserting status. As a multiple, this portrait speaks to early capitalism, the mass production, and distribution of images, making art accessible beyond the elite. The skilled labor involved also underscores the economic realities of artistic production at the time.