drawing, print, ink, engraving
drawing
baroque
pen drawing
ink
history-painting
engraving
Dimensions: height 210 mm, width 160 mm
Copyright: Rijks Museum: Open Domain
Editor: We're looking at the title page from J. Fernelius' "Universa Medicina" published in 1656, an engraving by Theodor Matham currently held at the Rijksmuseum. There's a lot happening, but the somber tones give it an almost weighty, serious feel. What strikes you about this piece? Curator: Weighty is a wonderful word for it. Imagine, if you will, holding this very book – a book promising universal medicine. This image, teeming with figures and classical architectural details, is promising you an answer. It’s both a boast and a burden, wouldn’t you agree? Editor: Absolutely. There’s such an ambition inherent in that claim! The figures surrounding the central table... who do you think they represent? Curator: Ah, that’s where it gets intriguing. Notice the serious demeanor of the central figures gathered, while the figures around them seem to embody varied aspects of sickness, support, learning, perhaps even curiosity. It's an academic circle, and perhaps Matham suggests all are involved, and maybe all are needed? Editor: I hadn't thought of them as distinct elements, more like participants in the pursuit of medicine. Curator: Precisely! Matham isn't just showing us a title page; he's giving us a glimpse into the world of medical inquiry, its gravity, its inherent connection to our collective hopes for wellness. A wonderful beginning to what I imagine, the publishers hoped, was essential reading. Editor: That really changes my view of it. I saw the seriousness, but I missed the communal aspect and how all the figures come together in that effort. It gives a very humanist dimension to the scene! Curator: And perhaps also a little hope. Let’s hold onto that as we journey through the exhibit today.
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