Philbert-Emmanuel de Beaumanoir de Lavardin 1666

Editor: This is Robert Nanteuil’s engraving of Philbert-Emmanuel de Beaumanoir de Lavardin from 1666. It’s very detailed, a bit somber. How do you interpret this work, especially with all its symbolism? Curator: I see a careful construction of power and piety. The oval frame itself evokes classical authority. Consider the subject's gaze – direct, yet not confrontational. It suggests a man confident in his position, but also mindful of his spiritual role. Notice the Order of Saint Lazarus medal he wears. It symbolizes charity, protection of the sick, and defense of the Christian faith. How do you think this impacts our understanding of his character? Editor: It paints a picture of someone who wants to be seen as both powerful and benevolent, which is quite the duality. Does the family crest have symbolic meaning too? Curator: Indeed! Heraldry functions as a visual shorthand for lineage, virtue, and aspirations. It speaks to a deeply ingrained cultural memory. In this context, it anchors the individual within a historical continuum, linking him to past glories and future responsibilities. Do you see how the crest's placement under the portrait gives it more gravitas? Editor: Yes, it gives the work a sense of permanence. The symbolic weight creates a layered image, hinting at a narrative beyond just a portrait. Curator: Exactly. And in understanding these layers, we touch the cultural memory Nanteuil wanted to create. Editor: It's amazing how much you can read from the visual symbols alone. Thanks for your perspective. Curator: My pleasure. Paying attention to symbols helps unlock other ways of understanding a portrait.