The Piazzetta towards San Giorgio Maggiore 1724

Canaletto's 'The Piazzetta towards San Giorgio Maggiore' was painted using oil on canvas. Canaletto's application of paint is meticulous, achieving a porcelain-like surface that captures the unique quality of Venetian light. This precision isn't just about aesthetics; it reflects Venice's position as a centre of trade and display. The buildings are rendered with architectural accuracy. Consider the labor required to build the depicted structures, and to maintain Venice itself – a constant battle against the sea. Canaletto documents all of this. Ultimately, the painting is a commodity itself, made for wealthy tourists seeking souvenirs of their travels. The artist's skilled labor is thus part of a much larger economic picture, one in which Venice sells not just goods, but its own image.