Emma Warch, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes 1890
print, photography
portrait
photography
Dimensions: Sheet: 2 1/2 × 1 7/16 in. (6.4 × 3.7 cm)
Copyright: Public Domain
Editor: Here we have a print, specifically a photograph from around 1890 by the Kinney Brothers Tobacco Company. It’s titled “Emma Warch, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes." The image feels quite posed and formal. What stands out to you? Curator: Well, it whispers tales of fleeting fame, doesn’t it? A captured moment, destined for cigarette packs and brief adoration. Imagine her life then. Do you think she truly grasped her place, however small, in that dizzying world of popular culture? Did she pause and muse about the countless hands that would hold her likeness, the fleeting thoughts she might inspire during a smoke break? Editor: That’s a beautiful way to put it! It's so interesting to think about the purpose of the photo, as advertisement. Does the commercial aspect detract from its artistic merit at all, in your view? Curator: Oh, child, does the scent of ink diminish the poet's words? This *is* the art of its time. Consider the subtle art of persuasion, the construction of image...isn't that something too? What would Walter Benjamin have said, I wonder, sipping his espresso, about the 'aura' of this particular actress amidst mechanical reproduction? Perhaps it amplified it in an entirely new way! Editor: So, the context of advertising, paradoxically, adds another layer of intrigue? Curator: Precisely. And it invites us to reflect upon beauty, celebrity, and commerce, forever intertwined in the great theater of life! She, Emma, reminds us, gazing out from her flimsy card, that every portrait, regardless of its origin, is a mirror reflecting something about ourselves. Editor: I hadn't thought of it that way. The portrait becomes almost a symbol, bigger than just a promotional tool. Curator: Indeed. It encourages us to consider, what facets of ourselves do *we* seek to capture and immortalize, eh?
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