Profile of a Man Wearing Spectacles c. 1885

Curator: Today we’re looking at “Profile of a Man Wearing Spectacles,” a graphite drawing executed around 1885. The artist is Konrad Böse. Editor: What strikes me is the incredible softness, even in the defined lines. It feels…contemplative. Like peering into someone’s private thoughts. Curator: Indeed. Note how Böse employs hatching and blending techniques to achieve that delicate gradation of tones. The subtle shifts in value articulate the planes of the face, creating volume without harsh outlines. It’s a study in restrained modulation. Editor: The spectacles are great too! Such a precise, delicate frame around the eyes… they give him such presence, that simple, very human accessory. I love the way Böse suggested the light glinting off the lenses. Curator: Semiotically, the glasses function as an index, suggesting intellect and perhaps a professional or scholarly occupation. Böse captures not only the man’s likeness, but alludes to a certain type. Notice also the relatively high degree of finish, especially on the face, which creates contrast with the sketchier treatment of the hair. Editor: There is such honesty here! I imagine he was a kind, diligent sort. Not particularly flashy, maybe a bit quiet, but dependable. A solid presence. That pencil work is incredible. So muted, subtle gradations—just beautiful. Curator: Ultimately, I read the work as a demonstration of formal economy and precise, calculated execution, showcasing command over the subtleties of monochrome media. Editor: To me, it’s more about the tender human touch, an attempt to see beyond the facade and to really capture… something of his soul. Curator: I concede that his soulful eyes do lend something unique. Thank you. Editor: Likewise. What an intimate and subtle work.